Be Thankful for What You Have is a studio album by American recording artist William
Devaughn, released in 1974. It contains the best-selling song “Be Thankful for What You Got,” also named “Be Thankful for What You Got.”
As you might expect, it is a new rendition of the 1974 William DeVaughn classic “Be Thankful for What You Got,” which was recorded on January 5, 2022, and performed by many other artists in the years that followed. Davante DeVaughn went on a version excursion that year and discovered over 80 different versions. He missed out on many more, implying that there are well over 100 different versions. Frank Fioravanti created it in collaboration with John Davis, who also orchestrated the song in its original version. Unless you’ve spent living under a rock, you’re probably associated with the song penned by DeVaughn.
However, while the Bristol group’s million-selling cover of soul singer William DeVaughn’s anthem ‘Be Thankful For What You Got’ is the most well-known, the song’s reincarnations don’t end there: the mid-tempo soul anthem, which was originally documented in Philadelphia decades previously, has gone through a few telling iterations.
It’s all about the simplicity in this song: a strutting bassline in the pockets, cheery guitar solos, and positive, aware lyrics that came combined to make a confident, laid-back anthem for the slum life that was growing in Philadelphia in the late ’70s, and it’s still going strong.
Davante Devaughn is up for a remix song, and his latest track, “Be Thankful For What You’ve Got,” is no exception. Because it exists somewhere among the present era of electronic creation and the emotional heydays, the track provides a compelling excuse to put your problems aside and live in the moment for a while.
With its delicate guitar plucks, relaxed harmonies, and a bassline that compels people to move their hips, all of which are built on the producer’s characteristic sound, the track distinguishes him as among the most inspirational artists on the global scene. It’s been a difficult year, but the new song serves as a clear reminder that we should all be thankful for what we have – in this case, a new pop.
It is critical to recognize that the original contains the appropriate elements. Massive Attack doesn’t stray too far from the fundamental sound of DeVaughn’s classic when creating its remix. Transferring a tune from one era to another involves a few modifications. While the scratch sampling has become antiquated, the drowned-out guitar stabs finish the journey back to the 1990s.
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